{"id":1902,"date":"2025-10-13T21:21:01","date_gmt":"2025-10-13T21:21:01","guid":{"rendered":"https:\/\/manuelhermia.com\/rajazz-series\/"},"modified":"2025-10-13T21:45:36","modified_gmt":"2025-10-13T21:45:36","slug":"rajazz-series","status":"publish","type":"page","link":"https:\/\/manuelhermia.com\/en\/rajazz-series\/","title":{"rendered":"Rajazz Series"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” background_enable_image=”off” global_colors_info=”{}”][et_pb_fullwidth_header title=”Rajazz Series” text_orientation=”center” _builder_version=”4.24.2″ _module_preset=”default” background_enable_color=”off” background_image=”https:\/\/manuelhermia.com\/wp-content\/uploads\/2022\/01\/banner-01.jpg” custom_padding=”200px||200px||false|false” custom_padding_tablet=”200px||200px||false|false” custom_padding_phone=”50px||50px||false|false” custom_padding_last_edited=”on|phone” background_last_edited=”off|desktop” background_size_phone=”contain” global_colors_info=”{}”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

About<\/h2>\n

 <\/p>\n

The theory behind Rajazz is explained on the
\n \u201cApproach\/Rajazz\u201d<\/a>
\n<\/strong> page of this website. <\/span><\/p>\n

Manuel Hermia has been exploring Rajazz for around twenty years. What exactly is it? It is an original system for organizing notes, straddling modal and tonal music. A research grant from FRart (Artistic Research Fund under the FNRS) enabled him to further his musical research in relation to mathematics and geometry from October 2023 to October 2025. This resulted in a whole series of works, written by himself and others. <\/p>\n

One of the distinctive features of rajazz is that, as a musical theory, it imposes a number of constraints on composers or improvisers who wish to use it. However, it does not imply any particular style and leaves the structure of the works entirely open. The field of exploration is therefore very broad. <\/p>\n

The Rajazz series will focus exclusively on works based on rajazz, across a wide variety of
styles and instruments.Cette s\u00e9rie Rajazz aura pour fil rouge de ne proposer que des \u0153uvres construites \u00e0 partir de rajazz, au travers d\u2019une grande vari\u00e9t\u00e9 de styles et d\u2019instruments les plus divers. La composition partage cette fois l\u2019espace avec l\u2019improvisation. <\/p>\n

To be released in 2026.<\/p>\n

Then, a digital series called RAJAZZ SERIES will be released in autumn 2026. This time, the use of the Rajazz theory in its various forms will serve as the common thread, spanning a wide range of styles and instruments. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_code disabled_on=”on|on|on” _builder_version=”4.24.2″ _module_preset=”default” disabled=”on” global_colors_info=”{}”]