[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” background_enable_image=”off” global_colors_info=”{}”][et_pb_fullwidth_header title=”Approach” text_orientation=”right” _builder_version=”4.22.2″ _module_preset=”default” background_enable_color=”off” background_image=”https:\/\/manuelhermia.com\/wp-content\/uploads\/2022\/01\/Manuel-Hermia-2021-\u00a9-Mae\u0308l-G.-Lagadec-208-recadre-horiz.jpg” custom_padding=”250px||250px|||” custom_padding_tablet=”250px||250px|||” custom_padding_phone=”120px||12px||false|false” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/manuelhermia.com\/wp-content\/uploads\/2022\/02\/img-02.jpg.9.jpg” title_text=”img-02.jpg.9″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_button button_url=”https:\/\/creationmusicale.be\/fr\/catalogue\/hermia\/la-theorie-des-rajazz” url_new_window=”on” button_text=”Buy the book ” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#cf734f” button_border_width=”0px” button_use_icon=”off” hover_enabled=”0″ box_shadow_style=”preset2″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Music is above all a language, a universal language that allows talking to musicians from other cultures whereas we often do not speak the same language, and our exchanges would be very limited if only words would allow us to communicate. But with notes, it is different. Except for some quarter tones and some microtonal inflections here and there, the 12 notes of the chromatic scale are the basis of musical thought and form a universal material acting as shared knowledge. Based on this, from one culture to another, one style to another, one composer or improviser to another, the only thing that changes is the way of organising the notes and how they are melodically, harmonically and rhythmically arranged.<\/p>\n
I started music when I was a child with classical music, quickly stepping in to jazz which I studied at the conservatory, and it is only later, in my adult life, that I started to travel and that I successively discovered a passion for the music of Brazil, Cuba, India, China, the Arab world, West Africa, Rwanda, Turkey, etc… And each time I discover new music, I realize how it is all a matter of codes and organizational rules between the notes. Each culture has defined one or several languages,each of themhaving codes.<\/p>\n
Also, there are today musicians all over the world who are going deeper into the music of their own culture, making an effort to open up to music from other cultures and to adopt their languages. And whenever these musicians meet, they have the opportunity to communicate in this common language.<\/p>\n
Obviously, one of the risks we must avoid is the simplification of cultural languages by lowering standards, and this is a trap we should always make sure we do not fall into when we make stylistic fusions. But I keep this in mind and I am confident that, since we gather musicians who master their own language, are open to the spirit of the encounter and are also able to improvise freely, they adopt a real logic of dialogue and a musical and human encounter all together becomes possible.<\/p>\n
I have long chosen to dedicate an essential part of my life to these travels, to these types ofmusic and encounters, because I am aware that all this brings me both happiness and meaning. A meaning that is intrinsically linked to the incredible era we are living in. At this time of unfettered globalization, I think that it is indeed important to be able to draw the most positive aspect of these closer ties among peoples and cultures because if people are actually closer to one another than ever before, most of them do not really feel linked, and even less close. On the contrary, the difficulties of life on the XXIst century create a sense of insecurity that increases identitarian, national, religious and community isolationisms so much so that many people consider themselves as being even more different from others \u2013 and therefore indifferent to others \u2013 than before.<\/p>\n
In this sense, creating spaces where a real encounter can take place between persons from different cultures, represents a true commitment and allows reaping the fruit of globalization in the most positive aspect, reminding us the richness of our differences and of our cultural diversity as well the essence of the human condition we all share.<\/p>\n
[\/et_pb_text][et_pb_button button_url=”https:\/\/creationmusicale.be\/fr\/catalogue\/hermia\/la-theorie-des-rajazz” url_new_window=”on” button_text=”Buy the book ” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#cf734f” button_border_width=”0px” button_use_icon=”off” hover_enabled=”0″ box_shadow_style=”preset2″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
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[\/et_pb_text][et_pb_image src=”https:\/\/manuelhermia.com\/wp-content\/uploads\/2023\/10\/close-up-1845247_1920.jpg” title_text=”close-up-1845247_1920″ url=”https:\/\/manuelhermia.com\/en\/approach\/global-view-of-music\/” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||35px|||” global_colors_info=”{}” transform_styles__hover_enabled=”on|desktop” transform_scale__hover_enabled=”on|desktop” transform_translate__hover_enabled=”on|desktop” transform_rotate__hover_enabled=”on|desktop” transform_skew__hover_enabled=”on|desktop” transform_origin__hover_enabled=”on|desktop” transform_scale__hover=”80%|80%” transform_rotate__hover=”54deg|216deg|0deg”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Material form of the sound, energy power of the sound, emotional capacity of music, mental effort to master the notes\u2019 organization, and pure conscience ; all this is included in the notes-bubbles. <\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/manuelhermia.com\/en\/approach\/global-view-of-music\/” button_text=”Learn more” _builder_version=”4.16″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#cf734f” button_border_width=”0px” button_use_icon=”off” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”||42px|||” link_option_url=”https:\/\/manuelhermia.com\/en\/approach\/jazz-philosophy-and-engagement\/” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/manuelhermia.com\/wp-content\/uploads\/2022\/01\/img-20.jpg” title_text=”img-20″ url=”https:\/\/manuelhermia.com\/en\/approach\/jazz-philosophy-and-engagement\/” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||56px|||” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n My love for jazz started when I saw that jazz had space for the expression of freedom : improvisation. A frame, rules and some space to be free.<\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/manuelhermia.com\/en\/approach\/jazz-philosophy-and-engagement\/” button_text=”Learn more” _builder_version=”4.16″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#cf734f” button_border_width=”0px” button_use_icon=”off” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||45px|||” link_option_url=”https:\/\/manuelhermia.com\/en\/approach\/rajazz\/” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/manuelhermia.com\/wp-content\/uploads\/2022\/02\/ragajazz_approche.jpg” title_text=”ragajazz_approche” url=”https:\/\/manuelhermia.com\/en\/approach\/rajazz\/” _builder_version=”4.17.1″ _module_preset=”default” custom_margin=”||36px|||” custom_padding=”0px|||||” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n \u00ab Rajazz \u00bb consist of a way of organizing the notes and are represented as musical mandalas.<\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/manuelhermia.com\/en\/approach\/rajazz\/” button_text=”Learn more” _builder_version=”4.16″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#cf734f” button_border_width=”0px” button_use_icon=”off” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_button][et_pb_button button_url=”https:\/\/creationmusicale.be\/fr\/catalogue\/hermia\/la-theorie-des-rajazz” url_new_window=”on” button_text=”Buy the book ” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#cf734f” button_border_width=”0px” button_use_icon=”off” hover_enabled=”0″ box_shadow_style=”preset2″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" My approach Music is above all a language, a universal language that allows talking to musicians from other cultures whereas we often do not speak the same language, and our exchanges would be very limited if only words would allow us to communicate. But with notes, it is different. Except for some quarter tones and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1100","page","type-page","status-publish","hentry"],"yoast_head":"\n Jazz, philosophy and engagement<\/h2>\n
La Th\u00e9orie des Rajazz<\/h2>\n